Amanda Portrait
Continuing the quick pencil portraits, my friend Amanda.
Continuing the quick pencil portraits, my friend Amanda.
This was a challenge. It’s hard enough drawing friends, but drawing a friend when asked by her partner of many years – knowing exactly how her smile looks and squint of the eyes, every facial expression. How does one capture all of that faithfully?
Pencil and conté crayon on paper.
Being a fan of 50s/60s kitsch art, have been playing with a contemporary way to create this type of art featuring modern iconic people. Some famous, some not. This is Ida Gyllensten, actress and singer. Drawn in pencil and crayon.
Ida is a friend from wild days in London in the mid-noughties.
Ida is a phenomenal actress. The Guardian said of Ida’s Magdalena in Scandi Noir ‘End of Summer’:
Magdalena is overly protective of her youngest son and cruelly dismisses her daughter. Some of those flashback scenes are beautifully dream-like, before they dissolve into nightmares.
It’s currently on BBC iPlayer.
https://idagyllensten.se/english
https://dreamingofislands1.bandcamp.com/album/dreaming-of-islands
Being a fan of 50s/60s kitsch art, have been playing with a contemporary way to create this type of art featuring modern iconic people. Some famous, some not. More to come.
Drawn in pencil and crayon.
I’ve been using an iPad and Procreate for sketch practice. Procreate takes a little time to learn and at first seems overwhelming. I’m a skilled Photoshop user – having spent years doing fashion and archival photo retouch and manipulation – so if you’re starting with Procreate, and have little prior experience, have patience. I’ve followed some great tutorials. However, the drawing and painting techniques all seem a bit alien to me – and not my way of drawing. Because I’ve now got the hang of the basics, I decided to take the iPad out and use like a ‘real’ sketch pad. My friend was swimming at Diver’s Cove today, so whilst keeping an eye on the dog from the shore, I had a bash at drawing this beautiful location. I’ve mainly used colour pencils and conté crayons for this – and it felt natural and familiar, as if I was using real paper. It’s a great feeling to be able to just sketch with a studio full of materials, all compressed down into an iPad!
More importantly, it’s not analogue vs digital art. It’s simply about making art at all – and not having artificial blockers. I was telling myself: ‘I don’t have paper’, or ‘I don’t have a pen’, or ‘I don’t have an easel’ – everything was blocking me. The iPad and Apple Pencil just got me started again without blockers. I’m practicing again, I’m drawing again and I feel better for it – it’s an essential thing for me to be drawing – often.
Let everyone else decide if it’s good or bad, whether they love it or hate it. While they are deciding, make even more art.” – Andy Warhol
I love painting, but I’ve never felt natural at it. It makes me feel like I’m swimming with flippers and a snorkel on (and likely taking in water). Give me a pencil, Biro or twig for that matter and it’s easy to draw as breathing – just feels natural to me.
My absolute favourite way of drawing is like this, on coloured paper with a simple black and white pencil. This one has a little medium terracotta chinagraph for warmth.
Inspired by modernist sculpture – especially art deco statures from the 1920s. I saw a load recently in an antique market. It just shows how just looking at things can inspire you without you realising.
Scrumped these apples in Youlgreave, Derbyshire. Apple trees everywhere and apples just falling and rotting.
There was an apple pressing session in the Village Hall. Prerequisite old dears in chairs around the edge, having a natter whilst the apples were being hand pressed.
The queue of people with bags and boxes of windfalls got bigger. The pressing was slow business. There were two apple pies in slices for donation. Perplexingly, there was just half a cup of fresh apple juice for donation too. It was delicious, but there should have been more! We were surrounded by hundreds of apples.
I met the man who planted the apple trees I’d taken these from. He planted them 40 years ago. They were not in his garden, but he was delighted the apples would not go to waste.
Image is A3, drawn in Prismacolor pencils.
For a man with a moustache…